"Bob Barnes never dreamed that the long arm of the music industry would reach into his personal computer. Sure, the bus operator from Fresno, Calif., had used Napster to grab music files off the Internet. And when that file-swapping service was put out of business, he switched to its most popular successor, Kazaa. But he was careful not to leave a trace, transferring all his downloaded songs to separate discs. A visiting teenage grandson wasn't so careful, however, and last week Barnes, 50, was slapped with a subpoena from the Recording Industry Association of America (RIAA). It alleged that he had posted online -- for the world to steal -- digital copies of songs by Savage Garden, Marvin Gaye and the Eagles. "This is like shock and awe," says Barnes. "Blitz them until they submit."
Barnes may be a pirate, but he has plenty of company."
The New York Times Subpoenas Sent to File-Sharers Prompt Anger and Remorse
[requires 'free' registration]
"Those on alert include several college students, the parents of a 14-year-old boy in the Southwest, a 41-year-old Colorado health care worker and a Brooklyn woman who works in the fashion industry.
"They could have used some other way to inform people than scaring the bejiminy out of them," said a mother who received a copy of the subpoena last Wednesday, listing several songs that her 14-year-old son had made available for others to copy from his computer. "If someone had sent me a letter saying `this is wrong,' you can bet your sweet potatoes that would have gotten my attention. This just seems so drastic.""
MSNBC Pirates of the Internet
"Among other provisions, the bill lowers the bar for criminal prosecution to the sharing of a single music file and allocates $15 million to go after copyright offenders. Representative Berman says that he anticipates that prosecutors will go only after someone who, knowing the consequences, uploads massive amounts of music. But the bill says in black and white that if you share so much as a single tune with your pals on the Internet--as millions do every day--you are a felon. Penalty: up to five years in jail. (Better fill up your iPod before you go.)"
SecurityFocus "Copying is Theft ..."
"As the war over P2P downloading heats up, and the record companies launch the novel marketing technique of suing their customers, I think it is an appropriate time to settle some of the pervasive myths about U.S. copyright law which fuel both sides of the debate."
redux [07.10.03]
BBC File swappers 'buy more music'
"The survey's findings oppose the music industry's long-standing argument that internet downloading is responsible for a slump in CD sales, with album sales falling 5% in the last year.
Market research company Music Programming Ltd (MPL) said 87% of its respondents who downloaded music admitted they bought albums after hearing tracks through the internet."
redux [06.25.03]
Wired News RIAA Threatens Orgy of Lawsuits
"A recording-industry trade group said Wednesday it plans to sue hundreds of individuals who illegally distribute copyright songs over the Internet, expanding its antipiracy fight into millions of homes."
""The RIAA, in their infinite wisdom, has decided to not only alienate their own customers but attempt to drive them into bankruptcy through litigation. So therefore they probably won't be able to afford to buy any music even if they want to," said Grokster President Wayne Rosso, who added he does not support copyright infringement."
redux [10.23.02]
USA Today Music industry spins falsehood
"On the first day I posted downloadable music, my merchandise sales tripled, and they have stayed that way ever since. I'm not about to become a zillionaire as a result, but I am making more money. At a time when radio playlists are tighter and any kind of exposure is hard to come by, 365,000 copies of my work now will be heard. Even if only 3% of those people come to concerts or buy my CDs, I've gained about 10,000 new fans this year.
That's how artists become successful: exposure. Without exposure, no one comes to shows, and no one buys CDs. After 37 years as a recording artist, when people write to tell me that they came to my concert because they downloaded a song and got curious, I am thrilled."
redux [05.06.02]
The New York Times Access to Free Online Music Is Seen as a Boost to Sales
[requires 'free' registration]
"Disputing the position held by the major record companies, a report issued on Friday found that people who use file-sharing networks to obtain music at no charge over the Internet are more likely to have increased their spending on music than are average online music fans."
""File-sharing is a net positive technology" in spurring sales, said Aram Sinnreich, author of the Jupiter report, explaining that people who download music online often are, in effect, sampling it. "It gets people enthusiastic about new and catalog music.""
redux [04.17.02]
SFGate New musical acts get lift from Internet
""Our data show that the dominance of a few music superstars is decreasing, and their hold on music sales is slipping," said Sudip Bhattacharjee of the University of Connecticut's School of Business. "This is definitely good news for up-and-coming artists and groups, who now have a better chance at chart success because of (new) technologies" such as programs that allow users to download songs for free from the Internet."
""Superstars just don't have the sustaining power they used to," said Gopal, who headed the research team. "They get knocked off by new artists who get sampled over the Internet.""
redux [03.18.02]
Matt Haughey The future of music
"Everyone with a computer I know uses them, rips them from their CDs, and shares them with others. Napster (and later on, Kazaa) built massive worldwide networks based on the sharing of these files, spreading terabytes of files to millions of users. And yet, you can't walk into a store anywhere in America and buy a physical form of media embedded with mp3s."
"Given the ubiquity of mp3s among consumers, the continued rise in popularity of the format despite anything that's been put in place to stop them, and the millions of dollars being spent on mp3 encoding/decoding software and hardware, I no longer think the RIAA operates solely on fear. At this point, they're simply running on stupidity."
redux [05.02.00]
Infoworld Napster sends a message to music industry: 'Your customers aren't happy'
""The Recording Industry Association of America wants to educate consumers with the message, "Artists deserve to be compensated -- artists won't make music if they can't make money." I can only imagine the public service announcements with multimillionaire artists pleading for their right to a seventh Porsche in the driveway.
There's no rationalization for piracy; it is what it is. However, rampant music piracy online indicates that the music industry's distribution and pricing model is out of whack with what people want. The problem isn't the piracy; the problem is unhappy customers.
And the music industry had better do something about it. This is a dinosaur moment -- with the big rock looming overhead -- where the music industry needs to ask itself how it will adapt."
“"You're not a designer, you're not a writer, and you're not an editor!"
Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.
...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”
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