"To online publishing and entertainment firms looking to start charging for their content, there was a simple message from today's Jupiter Media Forum: Don't hold your breath."
"Seventy percent of online adults surveyed by Jupiter, he said, can't understand why anyone would pay for any online content.
"If anything, people are less willing to pay than they were 18 months ago," he said."
DotComScoop In search of a viable subscription model
"As some of you will be aware, I'm a major critic of 'negative' subscription models. Time and time again we have witnessed websites introduce subscription services that represent nothing more than a closure of existing content.
There are a few exceptions - one being the Internet Movie Database (IMDB) whose subscription model is to my mind flawless. They kept their exist proposition entirely unchanged and brought in a high quality advanced option designed perfectly to cater for a specific sector of their audience. Furthermore they have undertaken to continuously improve the subscriber experience, aggressively seeking user feedback.
IMDB and others have demonstrated that you can introduce a subscription service in a positive manner, and succeed, so why don't more websites follow their example?"
redux [01.15.01]
Seattle Union Record Was 'free' such a good idea?
"As Microsoft, along with everyone else, wrestles with the challenge of how to make money on the Internet, you cannot help but wonder if Bill Gates & Co. regret a pivotal decision in the evolution of the Web.
When Microsoft decided in 1995 to make Internet Explorer and fold it into Windows, the action more than any other may have cemented the concept of “free” on the Internet."
"Microsoft won the browser wars but in so doing indelibly emblazoned in users’ minds the conviction that nothing on the Internet should cost money."
Evan Williams Pricing Matters
"Back when I did direct marketing, we were well-aware that people were irrational about pricing. The only way to really find out the right price for a product -- especially an information-based product, for which prices can be so arbitrarily set -- was to test a few, by sending different offers to random samplings, and see which resulted in more profit. Actually, it would be unusual if more than one (or any) of the prices produced any profit at all. And the results were all over the map. A higher price could sometimes bring in not just more money, but more orders, because of the increased perceived value. Then again, a price 20% lower could increase sales by 100%. You could guess but never know, and you were often surprised.”
redux [11.23.01]
The Christian Science Monitor Four different approaches to e-publishing
"While the concept of e-publishing (as most people think of the term; in the strictest sense, everything on the Web could qualify as e-publishing) hasn't exactly set the world on fire, it is still the 'early days.' And like so many things on the Web, is still sorting out its proper place and 'mode of delivery.' The following sites reveal four different approaches to e-publishing - and whether through odd coincidence or 'environmental compulsion,' each one parallels a familiar method of software distribution."
Online Journalism Review Online News Users Have to Pay
"I've been listening to online-news people talk about it with much interest ever since I was laid off 6 months ago as the managing editor of a regional news site for an Internet Industry portal. Most of the old pros say it won't work. The consultants say about the same thing. The Suits? Well, they just don't say.
Yet, people have paid for print newspapers for ages and they don't seem to mind. So what's so different about online-news?
At this point, I think that online-news users have to pay, it's as simple as that."
Web Techniques Inside Salon Premium
"The Web's great free-for-all is coming to a sudden, sharp end. Under today's market conditions, Web companies can no longer expect to sustain themselves by losing ever-larger sums of money to gain ever-larger slices of market share. As more traditional business yardsticks take hold, many companies face the difficult decision to charge for some of their online content and services—and users have begun to accept that they can no longer get everything they want or love for free.
Sure, the Web continues to offer a vast, unprecedented array of gratismaterial. But professionally produced sites need to pay their bills, and relying on advertising alone is a risky proposition in an economic slump. As senior vice president of editorial operations for Salon.com , I've become very familiar with these realities. For content sites like Salon.com, charging for subscriptions—once considered anathema on the Web—is now an essential move for survival."
“"You're not a designer, you're not a writer, and you're not an editor!"
Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.
...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”
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