"America's programmers, engineers and sundry bit-heads have not yet figured out how much a new copyright bill will affect their livelihood.
When they do, watch for an angry Million Geek March to storm Capitol Hill."
Cory Doctorow The Anti-Mammal Dinosaur Protection Act
"Senator Fritz Hollings has introduced a modified version of the SSSCA, called the Consumer Broadband and Digital Television Promotion Act, which will do just what it says: convert our rich innovative technosphere into a one-way medium run by coked-up Hollyweird fatcats who thought that the VCR was a bad idea but that Police Academy n -1 was just dandy.
The CBDTPA (let's call it the Anti-Mammal Dinosaur Protection Act and have done with it) requires technologists to arrive at a trumped-up "consensus" with Hollywood Political Officers before they can bring any new products to market. This "consensus," reached at lawyerpoint, establishes what features every product that can store, trasnmit, display or manipulate digital files must have and which files it must not have: everything not mandatory is verboten."
Michael Fraase When elephants dance
"When elephants dance, it’s best to get out of the way. That’s exactly what’s happening now as the entertainment industry—the recording, publishing, and motion picture industries, mainly—attempts a worldwide intellectual property power grab with two distinct targets. Think of it: a coup and a lock on all published content in the same year, amazing isn’t it?"
"As security and cryptography expert Bruce Schneier explains it to Mike Godwin: “If you think about it, the entertainment industry does not want people to have computers; they’re too powerful, too flexible, and too extensible. They want people to have Internet Entertainment Platforms: televisions, VCRs, game consoles, etc.”"
Cryptome Statements on Introduced Bills and Joint Resolutions
"While industries are at odds as to how to solve these critical content protection problems, the legislation we introduce today provides us with the tools to break the logjam. Specifically, the legislation requires the content, consumer electronics, and information technology industries to come together with representatives of consumer groups to develop standards, technologies, and encoding rules to safeguard digital content so that it will be made more readily available to consumers without being subject to piracy. The affected parties would have one year to reach agreement. The technologies would then be incorporated into all digital media devices to ensure universal protection for digital content and universal access to such content for consumers. The deadline on industry would work in the following fashion: if they come together to solve these problems in private sector talks, we will empower government enforcement so that all consumer devices comply. If they don't, the government, in consultation with the private sector, will have to step in."
The Electronic Fronteir Foundation Congress Calls For Public Participation on Digital Music Issues
"Today, Senator Hollings introduced the alarming Consumer Broadband and Digital Television Promotion Act (CBDTPA), which will give Hollywood plutocrats the power to stall new digital media technologies for a year, negotiating a phony "consensus" at lawyer-point with technologists. This "consensus" will receive the force of law, prescribing which user-hostile features are mandatory and which innovative features are forbidden. CBDTPA is derived from the draft SSSCA (Security Systems & Standards Certification Act), the subject of our last alert.
Both the House and the Senate have called for comments on the future of digital music, an issue that is deeply entwined with technology mandates.
This is YOUR chance to voice your opposition to laws that make all digital media technology mandatory or forbidden."
United States Committee on the Judiciary Protecting Creative Works in The Digital Age: User Comments
"If this bill becomes law, nearly every form of digital technology we use today will be completely at the mercy of a handful of large content providers. Our computers, operating systems, networking protocols, and all other aspects of digital communication will have to change drastically to accomodate the whims of these profit-driven industry groups. This will hurt competition and innovation among hardware and software manufacturers by artificially restricting the functionality they can provide. New technologies will suffer the scrutiny of those whose interest is best served by the status quo before being allowed to market."
redux [10.23.01]
EETimes PC industry girds for copy-protection fight
"A PC industry executive said a range of copy-protection technologies are available to prevent video piracy and that a single solution will not work and won't be embraced by consumers. "It's a myth to say that there is a magic bullet out there" to protect all content, said Jeffrey Lawrence, an Intel Corp. executive and member of the Copy Protection Technology Working Group, a cross-industry group working on copy-protection standards.
The Hollings bill is "an unwarranted intrusion by the government into the marketplace" that would mean a "snap-shot approach" to digital rights management, added Ken Kay, executive director of the Computer Systems Policy Project, a PC industry group based here. "It will freeze technologies in place.""
redux [10.09.01]
Dan Bricklin Copy Protection Robs The Future
"Copy protection, like poor environment and chemical instability before it for books and works of art, looks to be a major impediment to preserving our cultural heritage. Works that are copy protected are less likely to survive into the future. The formal and informal world of archivists and preservers will be unable to do their job of moving what they keep from one media to another newer one, nor will they be able to ensure survival and appreciation through wide dissemination, even when it is legal to do so."
redux [09.04.01]
First Monday Copyright in a Frictionless World: Toward a Rhetoric of Responsibility
"In this paper, the author reviews the history and application of copyright and concludes that, although promoted as being in the interests of authors, it is designed in such a way as to be primarily a right which benefits distributors and publishers. The author identifies a number of difficulties faced by distributors and publishers in enforcing their rights in an age where the various sources of "friction" which once limited infringement are being constantly reduced. In particular, in the emerging frictionless world the typical targets of the holder of a copyright monopoly (distributors pirating for profit) are being overtaken by a new breed of target (individuals with a cost reduction motive) and it is uneconomical for a holder of a copyright monopoly to pursue this new breed. The author argues that recent extensions to copyright monopolies add little to the illegality of the infringing acts nor any stigma to the performance of those acts. Instead, they exacerbate one of the main causes of infringement - consumer cynicism as to the benefits to society of the copyright monopoly. The author argues further that, rather than driving further cynicism through more expansive rhetoric relating to rights, holders of a copyright monopoly should instead seek to mollify consumer sentiment and encourage compliance by emphasizing a rhetoric of responsibility in the exercise of those rights. The author proposes three possible principles of responsibility that copyright monopoly holders might evaluate and endorse."
redux [06.08.01]
ZDNet Technology and the corruption of copyright
"Interestingly, with the onslaught of technology and promises of greater opportunity to share and communicate, copyright is now a hindrance to these ideals, serving only the moneyed interests of owners."
"Historically, copyright protections were afforded to promote expressive discourse fundamental to a democratic society. Today, the very notion of intellectual property serves to commoditize expressive ideas, rather than fostering their dissemination. Whereas initially the provision of an economic benefit was secondary to the promotion of original works, modern copyright inverts this ideal in a continuing effort to establish a marketplace for ideas."
redux [01.23.01]
Cryptome What's Wrong With Content Protection
"Converting the whole world to operate without scarcity is a huge task. Such a large economic shift would take decades to spread through the entire world economy, making billions of new winners and new losers. We will be extremely lucky if by 2030 we are prepared to end scarcity without massive social turmoil, including riots, civil unrest, and world war. If we are to find a peaceful path to an era of plenty, we should be starting HERE AND NOW, transforming the industries we have already eliminated scarcity in -- text, audio, and video. Companies that can't adjust should disappear and be replaced by those who can. As these whole industries learn how to exist and thrive without creating artificial scarcity, they will provide models and expertise for other industries, which will need to change when their own inefficient production is replaced by efficient duplication ten or fifteen years from now. Relying on copy-protection now would send us in exactly the wrong direction! Copy protection pretends that the law and some fancy footwork with industrial cartels can maintain our current economic structures, in the face of a hurricane of positive technological change that is picking them up and sending them whirling like so many autumn leaves."
redux [12.17.00]
Bad Subjects Beyond Copyright Consciousness
"Today's received ideas about intellectual property can be distilled into two major threads: technology killed copyright, and copyright is anachronistic in networked culture. Both of these notions are simplistic and ahistorical, and I'll try to argue that they're shortsighted. What we really ought to be talking about is access to works. Access is related to copyright, but is really more fundamental to our freedom to think and experience. I'd like to propose an expanded access scheme and offer an example of small steps that are being taken in that direction."
“"You're not a designer, you're not a writer, and you're not an editor!"
Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.
...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”
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