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conflux

Slashdot At Last And At Length: Lars Speaks
"We have always let fans tape our shows, we've always had a thing for bootlegging live materials, for special appearances, for that type of stuff. Knock yourselves out, bootleg the fuck out of it, we don't give. We believe that there is a major, major difference between the old -- obviously one of the scenarios we hear a lot ... 'How is it different from home taping?' I guess is really the question. You know, home taping 10 or 15 years ago really was about, you had vinyl records, and you had the neighbor down the street with you know, his Iron Maiden records, that you wanted to make a tape of so you can play in your car. ...We're talking about a network that includes millions and millions of people, and tens and tens of millions of songs that these millions of people have, they can trade. So the old 'home taping is killing music,' well, OK, so you borrow your neighbor's Iron Maiden record, blah blah blah, you know, some guy down at school. There is a long way from that to what's going on right now with perfect first-generation digital copies of music that's available to millions of poeple all over the world."

redux [03.25.00]
Salon Artists to Napster: Drop dead!
" Ask singer-songwriter Aimee Mann what she thinks of Napster, the ingeniously simple and wildly popular tool for exchanging MP3 music files, and you get a very concise response: "Artists should get paid for their work." It's a time-honored notion, but one that seems to be getting lost amid the Napster buzz."
redux [04.17.00]
News.com Can Napster be stopped? No!
"The obvious question is, Can anything be done to stop the free trade of music on the Internet? To the amazement of many, the answer is likely to be no.

The first reason for this is that the cat is out of the bag. Every multimedia PC in existence is capable of converting a music CD to a digital MP3 file. This means that more than 100 million encoding devices already exist that can convert the more than 50 billion CDs floating around the world into digital files. It's unlikely that we will recall either the PCs or the CDs. Could we produce new CDs that are "un-rippable"? This is unlikely if you want them to work in the more than 200 million CD players that already are on the market."
redux [05.02.00]
Infoworld Napster sends a message to music industry: 'Your customers aren't happy'
"The Recording Industry Association of America wants to educate consumers with the message, "Artists deserve to be compensated -- artists won't make music if they can't make money." I can only imagine the public service announcements with multimillionaire artists pleading for their right to a seventh Porsche in the driveway. There's no rationalization for piracy; it is what it is. However, rampant music piracy online indicates that the music industry's distribution and pricing model is out of whack with what people want. The problem isn't the piracy; the problem is unhappy customers. And the music industry had better do something about it. This is a dinosaur moment -- with the big rock looming overhead -- where the music industry needs to ask itself how it will adapt. "

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“"You're not a designer, you're not a writer, and you're not an editor!"

Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.

...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”

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