Wired Napster Takes a Nap
"Napster addicts in need of a music fix were stifled Monday by the unavailability of the company’s servers.
Starting around 7 a.m. PDT Monday, servers and home pages for Napster, a popular service that allows Internet users to exchange MP3 music files, have been unavailable and disconnecting users."
"The vulnerability of Napster’s servers points to an advantage that distributed software like Gnutella may have in the long run -– no single IP destination controls the operation of the file-sharing."
Wide Open News Pro-Napster Hackers Hit Metallica
"Hell hath no fury like a Napster fan spurned, it seems. Hot on the heels of Metallica's major legal action against the developer of the MP3 track finder, the band's Web site was hacked over the weekend.
A Napster buff sneaked onto the the rockers' server and replaced the site's minimalist www.metallica.com homepage with the equally minimalist 'LEAVE NAPSTER ALONE'. "
The Christian Science Monitor Napster — the music distribution system of the future
"llicit or not, the changes wrought by Napster may be more difficult to undo. An entire generation of music-listeners has learned that there's a better way to get the music they want - and even if government manages to stomp it out, the memory will remain."
"Freedom of information does not necessarily have to mean the end of compensation for the companies that produce and market music - or the artists who initially wrote and performed the songs."
redux [03.25.00]
Salon Artists to Napster: Drop dead!
" Ask singer-songwriter Aimee Mann what she thinks of Napster, the ingeniously simple and wildly popular tool for exchanging MP3 music files, and you get a very concise response: "Artists should get paid for their work." It's a time-honored notion, but one that seems to be getting lost amid the Napster buzz."
“"You're not a designer, you're not a writer, and you're not an editor!"
Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.
...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”
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