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conflux

Salon The revolution that wasn't
"The news that Stephen King would release a story exclusively in digital form and exclusively via the Web rode the media mountain like an intermediate skier on a black-diamond trail -- tentatively at first, then with a little more confidence and, finally, hurtling out of control, crashing into unexpected territory. The trade press gave its imprimatur, and within a few days the story spread like a virus over Web and wire. Television and radio chugged behind.

For those who've watched digital content come into its own, the frenzy was nothing short of remarkable."

"...[Publisher Simon & Schuster] seems to be proclaiming something more insidious with the publication of "Riding the Bullet": that not only can it drag us kicking and screaming into the next era of digital entertainment but that, as a traditional content provider, it can control how and when that will happen. For the consumer, it seemed to say, cyberspace offers much that is new -- speed, efficiency, lower costs. But it also reminded us that, for the moment, Old Media and traditional entertainment still rule."

redux [03.09.00]
The Industry Standard Stephen King: Content Provider?
"In a move being billed as the biggest market test to date, Stephen King's latest horror tale is being sold exclusively in eBook format. "Riding the Bullet" will be released for download March 14 at $2.50 a pop, and many in the media suggested that its performance would have great implications for the nascent online publishing industry."

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[ rhetoric ]

“"You're not a designer, you're not a writer, and you're not an editor!"

Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.

...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”

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