Salon The return of the dead-tree media
"Analysts are comparing the merger of Times Mirror and the Tribune Company to AOL-Time Warner, but the combined company looks more like an industrial age holdout than a 21st century media giant."
Online Journalism Review ChicagoTribune.com: the Windy City as it happens
"At a time when most newspaper's online offices have all the energy of a morgue as a skeleton crew of editors funnel print and wire stories onto the Web, chicagotribune.com's newsroom pulses with adrenaline. Five days a week, six news reporters and six editors race to get original reporting onto the site as fast as local news breaks."
""It harkens back to that old tradition of great newspapering," says Interactive News Editor Thomas Cekay, a newspaper veteran seated at his desk near the middle of the action. "Have your coat nearby, because when news breaks, you're out the door.""
""...We see our function as being like an all-news radio station."'
redux [02.02.00]
First Monday Interactive Features of Online Papers
"According to McAdams, who helped create the Washington Post's online service, "A journalist with little online experience tends to think in terms of stories, news value, public service and things that are good to read, but a person with a lot of online experience thinks more about connection, organization, movement within and among sets of information and communication among different people". Journalists today must choose. As gatekeepers they can transfer lots of information, or they can make users a smarter, more active and questioning audience for news events and issues. Making users smarter means involving them in a collaborative experience; i.e. interaction ”
“"You're not a designer, you're not a writer, and you're not an editor!"
Well, no, blogger, you're not. And therein lies your gift. Because even if it's true the vast majority of blogs would not be missed by more than a handful of people were the earth to open up and swallow them, and even if the best are still no substitute for the sustained attention of literary or journalistic works, it's also true that sustained attention is not what Web logs are about anyway. At their most interesting they embody something that exceeds attention, and transforms it: They are constructed from and pay implicit tribute to a peculiarly contemporary sort of wonder.
...[T]he Web log reflects our own attempts to assimilate the glut of immaterial data loosed upon us by the "discovery" of the networked world. And there are surely lessons for us in the parallel. For just as the cabinet of wonders took centuries to evolve into the more orderly, logically crystalline museum, so it may be a while before the chaos of the Web submits to any very tidy scheme of organization.”
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